# Craft Sources

The Inkagai Way: 100 Practices for a Writing Life

By Anna Lishman & Brad Lishman

Canonical URL: https://inkagai.com/the-inkagai-way/read/craft-sources

The practices draw on published craft books, essays, interviews, letters and works of literature. Each practice names the writers it discusses and says plainly where an idea is theirs and where it is ours. Lamott’s *Bird by Bird* and King’s *On Writing* also informed Chapter 4, which presents their methods as influential examples, not universal instructions. None of the writers named in this book is affiliated with or implied to endorse Inkagai or The Inkagai Way.

The works cited, with the practices that cite them:

- Addison, Joseph, and Richard Steele. *The Spectator*. London, 1711–1712 (daily periodical; text at Project Gutenberg, https://www.gutenberg.org/files/12030/12030-h/12030-h.htm). Cited in Practice 82.
- Aristotle. *Poetics*. Translated by S. H. Butcher, in *Aristotle’s Theory of Poetry and Fine Art, with a Critical Text and Translation of the Poetics*. London: Macmillan, 1895 (also issued separately as *The Poetics of Aristotle*, Macmillan, 1895; text at https://www.gutenberg.org/ebooks/1974). Cited in Practices 24, 47.
- Augustine. *Confessions*. Written c. 397–400. Translated by E. B. Pusey. Oxford: J. H. Parker; London: J. G. and F. Rivington, 1838.
- Austen, Jane. *Emma*. London: John Murray, 1815 (title page dated 1816). Cited in Practice 29.
- Austen, Jane. *Mansfield Park*. London: Thomas Egerton, 1814. Cited in Practice 56.
- Austen, Jane. *Persuasion*. London: John Murray, 1817 (published 20 December 1817 with *Northanger Abbey*; title page dated 1818). Cited in Practices 5, 86.
- Austen, Jane. *Pride and Prejudice*. London: T. Egerton, 1813. Cited in Practices 35, 97.
- Austen, Jane. *Pride and Prejudice*. London: Thomas Egerton, 1813. (Early draft written 1796–97 under the title *First Impressions*; that title was never published.) Cited in Practice 97.
- Austen, Jane. *Sense and Sensibility*. London: T. Egerton, 1811. Cited in Practice 97.
- Austen-Leigh, James Edward. *A Memoir of Jane Austen*. London: Richard Bentley, 1870 (published 16 December 1869; title page dated 1870).
- Baldwin, James. “Me and My House.” *Harper’s Magazine*, November 1955 (later retitled “Notes of a Native Son”). Cited in Practice 15.
- Bennett, Arnold. *Hilda Lessways*. London: Methuen, 1911. Cited in Practice 12.
- Blake, William. *The Marriage of Heaven and Hell*. Illuminated book printed by the author, c. 1790–93. Cited in Practice 36.
- Booth, Wayne C. *The Rhetoric of Fiction*. Chicago: University of Chicago Press, 1961. Cited in Practice 39.
- Booth, Wayne C., Gregory G. Colomb, and Joseph M. Williams. *The Craft of Research*. Chicago: University of Chicago Press, 1995 (Chicago Guides to Writing, Editing, and Publishing). Cited in Practices 24, 29.
- Borges, Jorge Luis. “Pierre Menard, autor del Quijote” (“Pierre Menard, Author of the *Quixote*”). *Sur* 56 (May 1939); collected in *El jardín de senderos que se bifurcan*. Buenos Aires: Sur, 1941. Cited in Practice 17.
- Borges, Jorge Luis. *El jardín de senderos que se bifurcan* (includes the author’s prologue, pp. 7–11). Buenos Aires: Sur, 1941. Cited in Practice 17.
- Brody, Jessica. *Save the Cat! Writes a Novel*. Berkeley: Ten Speed Press, 2018. Cited in Practice 21.
- Butler, Octavia E. *Parable of the Sower*. New York: Four Walls Eight Windows, 1993. Cited in Practice 9.
- Butler, Samuel. *The Fair Haven*. London: Trübner, 1873. (Published as the posthumous work of the fictitious “John Pickard Owen,” ed. William Bickersteth Owen.) Cited in Practice 17.
- Capote, Truman. *In Cold Blood: A True Account of a Multiple Murder and Its Consequences*. New York: Random House, 1966. Cited in Practice 75.
- Capote, Truman. “In Cold Blood.” *The New Yorker*, September 25, October 2, October 9, and October 16, 1965 (four-part serialization). Cited in Practice 75.
- Carlyle, Thomas. *Sartor Resartus*. Serialized in *Fraser’s Magazine*, November 1833–August 1834; first book edition, Boston: James Munroe and Company, 1836. Cited in Practice 17.
- Caro, Robert A. *The Power Broker: Robert Moses and the Fall of New York*. New York: Alfred A. Knopf, 1974. Cited in Practice 13.
- Carson, Anne. *Nox*. New York: New Directions, 2010. Cited in Practice 17.
- Carver, Raymond. *Beginners*. In *Collected Stories*, edited by William L. Stull and Maureen P. Carroll. New York: Library of America, 2009. Cited in Practice 70.
- Carver, Raymond. *What We Talk About When We Talk About Love*. New York: Alfred A. Knopf, 1981.
- Chekhov, Anton. *The Cherry Orchard*. 1904. Translated by Julius West, in *Plays by Anton Chekhov, Second Series* (text at https://www.gutenberg.org/ebooks/7986). Cited in Practice 44.
- Chekhov, Anton. *The Seagull* (*Chaika*). First performed October 17, 1896, Alexandrinsky Theatre, St. Petersburg; first published in *Russkaya mysl’* (Russian Thought), no. 12, 1896.
- Chekhov, Anton. *Three Sisters*. First performed 1901, Moscow Art Theatre. Translated by Julius West, in *Plays by Anton Chekhov, Second Series*. London: Duckworth, 1915; New York: Charles Scribner’s Sons, 1916; Project Gutenberg eBook #7986. Cited in Practice 48.
- Chesnutt, Charles W. “The Wife of His Youth.” *The Atlantic Monthly* 82 (July 1898): 55–61. Cited in Practice 62.
- Chopin, Kate. “The Dream of an Hour” (later retitled “The Story of an Hour”; written April 19, 1894). *Vogue*, December 6, 1894. Cited in Practice 37.
- Christie, Agatha. *The Murder of Roger Ackroyd*. London: William Collins, Sons, 1926. Cited in Practice 18.
- Coleridge, Samuel Taylor, and Robert Southey. *Omniana, or Horae Otiosiores*. London: Longman, Hurst, Rees, Orme, and Brown, 1812. Cited in Practice 36.
- Cook, Claire Kehrwald. *Line by Line: How to Edit Your Own Writing*. Houghton Mifflin, 1985. Cited in Practice 90.
- Cooke, Rachel. “Robert Caro: ‘The more facts you collect, the closer you come to the truth.’” *The Guardian* (*The Observer*), April 21, 2019. https://www.theguardian.com/books/2019/apr/21/robert-caro-interview-working-lbj-more-facts-you-collect-closer-to-the-truth Cited in Practice 13.
- Curtiz, Michael, dir. *Casablanca*. Warner Bros., 1942.
- Darwin, Charles. *On the Origin of Species by Means of Natural Selection, or the Preservation of Favoured Races in the Struggle for Life*. London: John Murray, 1859 (first edition, published 24 November 1859). Cited in Practices 5, 53.
- Davis, Lydia. *Samuel Johnson Is Indignant*. San Francisco: McSweeney’s, 2001. Cited in Practice 70.
- Dickens, Charles. *Bleak House*. London: Bradbury & Evans, 1853 (serialized March 1852–September 1853).
- Dickens, Charles. *Hard Times*. London: Bradbury & Evans, 1854. Cited in Practice 58.
- Dickens, Charles. *Oliver Twist*. London: Richard Bentley, 1838 (three volumes; serialized in *Bentley’s Miscellany*, 1837–39). Cited in Practice 45.
- Dickens, Charles. *The Posthumous Papers of the Pickwick Club* (*The Pickwick Papers*). London: Chapman & Hall, 1836–37 (19 monthly parts, March 1836–November 1837). Cited in Practice 63.
- Dickinson, Emily. *Poems by Emily Dickinson, Third Series*. Edited by Mabel Loomis Todd. Boston: Roberts Brothers, 1896 (contains “I heard a Fly buzz—when I died,” printed as “Dying”; text at https://www.gutenberg.org/ebooks/12241). Cited in Practice 68.
- Didion, Joan. *A Book of Common Prayer*. New York: Simon & Schuster, 1977. Cited in Practice 14.
- Dostoevsky, Fyodor. *Crime and Punishment*. 1866. Translated by Constance Garnett. London: William Heinemann, 1914. Cited in Practice 33.
- Douglass, Frederick. *Narrative of the Life of Frederick Douglass, an American Slave*. Boston: Anti-Slavery Office, 1845. Cited in Practice 40.
- Eliot, T. S. *The Waste Land*. *The Criterion*, October 1922; *The Dial*, November 1922; New York: Boni & Liveright, December 1922. Cited in Practice 99.
- Eliot, T. S. “Reflections on Vers Libre.” *New Statesman* 8 (March 1917): 518–19. Cited in Practice 94.
- Fitzgerald, F. Scott. *The Great Gatsby*. New York: Charles Scribner’s Sons, 1925.
- Fitzgerald, F. Scott. *Trimalchio* (corrected galley proofs of *The Great Gatsby*, working title, revised in Rome, c. 1924–25). F. Scott Fitzgerald Papers (C0187), Box 6, Manuscripts Division, Department of Special Collections, Princeton University Library. https://findingaids.princeton.edu/catalog/C0187 Cited in Practice 89.
- Ford, Ford Madox. *The Good Soldier*. London: John Lane, The Bodley Head, 1915. Cited in Practice 39.
- Forster, E. M. *Aspects of the Novel*. London: Edward Arnold, 1927.
- Frey, James. *A Million Little Pieces*. New York: Nan A. Talese/Doubleday, 2003. Cited in Practice 76.
- Frost, Robert. *North of Boston*. London: David Nutt, 1914. Cited in Practice 34.
- Gaiman, Neil. “Ten Rules for Writing Fiction (Part One).” *The Guardian*, February 20, 2010. Cited in Practice 87.
- Gardner, John. *The Art of Fiction: Notes on Craft for Young Writers*. New York: Alfred A. Knopf, 1984. Cited in Practice 38.
- Gogol, Nikolai. *The Inspector-General* (*Revizor*). First performed and published 1836. Cited in Practice 64.
- Gornick, Vivian. *The Situation and the Story: The Art of Personal Narrative*. New York: Farrar, Straus and Giroux, 2001. Cited in Practice 15.
- Hardy, Thomas. *Tess of the d’Urbervilles: A Pure Woman Faithfully Presented*. London: James R. Osgood, McIlvaine & Co., 1891 (3 vols.; serialized in *The Graphic*, July–December 1891). Cited in Practice 45.
- Harper’s Magazine*. New York: Harper & Brothers, 1850– (as *Harper’s New Monthly Magazine*). Cited in Practice 15.
- Hemingway, Ernest. *A Farewell to Arms*. New York: Charles Scribner’s Sons, 1929.
- Hemingway, Ernest. *A Moveable Feast*. New York: Charles Scribner’s Sons, 1964. Cited in Practice 84.
- Hemingway, Ernest. “The Art of Fiction No. 21.” Interview by George Plimpton. *The Paris Review* 18 (Spring 1958): 61–89.
- Hemingway, Ernest. “The Art of the Short Story” (preface written 1959). *The Paris Review* 79 (Spring 1981): 85–102. Cited in Practice 42.
- Homer. *The Iliad*. Translated by Samuel Butler. London: Longmans, Green, 1898. Cited in Practice 49.
- Horace. *Ars Poetica* (*Art of Poetry*; also *Epistula ad Pisones*). Written c. 19–18 BC. Cited in Practice 100.
- Hughes, Richard. “The Birth of Radio Drama.” *The Atlantic*, December 1957, https://www.theatlantic.com/magazine/archive/1957/12/the-birth-of-radio-drama/640763. Cited in Practice 67.
- Hughes, Richard. *A Comedy of Danger* (later retitled *Danger*). Radio play, broadcast by the BBC (London), 15 January 1924. Cited in Practice 67.
- Hurston, Zora Neale. *Barracoon: The Story of the Last “Black Cargo”*. Edited by Deborah G. Plant. New York: Amistad, 2018 (written 1931). Cited in Practice 63.
- Ibsen, Henrik. *Et Dukkehjem* [*A Doll’s House*]. Copenhagen: Gyldendal, 1879. Cited in Practice 62.
- Jacobs, Harriet A. *Incidents in the Life of a Slave Girl*. Edited by L. Maria Child. Boston: Thayer & Eldridge, 1861. Cited in Practice 90.
- Jonze, Spike, dir. *Adaptation*. Screenplay by Charlie Kaufman. Columbia Pictures, 2002. Cited in Practice 17.
- Karp, Paul. “Deloitte Report Suspected of Containing AI Invented Quote.” *Australian Financial Review*, 27 August 2025. https://www.afr.com/companies/professional-services/deloitte-report-suspected-of-ai-invented-quote-from-robo-debt-case-20250825-p5mpjj Cited in Practice 77.
- King, Stephen. *On Writing: A Memoir of the Craft*. New York: Scribner, 2000. Cited in Practices 21, 87, 88.
- Klinkenborg, Verlyn. *Several Short Sentences About Writing*. New York: Alfred A. Knopf, 2012. Cited in Practice 56.
- Lamott, Anne. *Bird by Bird: Some Instructions on Writing and Life*. New York: Pantheon, 1994.
- Le Guin, Ursula K. *Steering the Craft: Exercises and Discussions on Story Writing for the Lone Mariner and the Mutinous Crew*. Portland, OR: Eighth Mountain Press, 1998 (rev. ed., *Steering the Craft: A Twenty-First-Century Guide to Sailing the Sea of Story*, Boston: Mariner Books, 2015). Cited in Practices 56, 57.
- Lu Xun. “The True Story of Ah Q” (*Ah Q zhengzhuan*). Serialized in *Chenbao fukan* (Beijing *Morning Post* supplement), December 4, 1921–February 12, 1922; collected in *Nahan* (*Call to Arms*), 1923. Cited in Practice 20.
- Martin, George R. R. *A Song of Ice and Fire* (series; first volume *A Game of Thrones*). New York: Bantam Spectra, 1996–. Cited in Practice 22.
- Mata v. Avianca, Inc.*, No. 22-cv-1461 (PKC) (S.D.N.Y. June 22, 2023) (Opinion and Order on Sanctions, Castel, J.). Cited in Practice 99.
- McGinniss, Joe. *Fatal Vision*. New York: G. P. Putnam’s Sons, 1983. Cited in Practice 79.
- McKee, Robert. *Story: Substance, Structure, Style, and the Principles of Screenwriting*. New York: ReganBooks, 1997. Cited in Practice 41.
- McPhee, John. *Encounters with the Archdruid*. New York: Farrar, Straus and Giroux, 1971.
- McPhee, John. “Draft No. 4.” *The New Yorker*, April 29, 2013. Cited in Practice 4.
- McPhee, John. “Structure.” *The New Yorker*, January 14, 2013. Cited in Practice 21.
- McPhee, John. “Writing by Omission.” *The New Yorker*, September 14, 2015. https://www.newyorker.com/magazine/2015/09/14/omission Cited in Practice 13.
- Melville, Herman. *Moby-Dick; or, The Whale*. New York: Harper & Brothers, 1851 (London: Richard Bentley, as *The Whale*, 1851). Cited in Practice 66.
- Mill, John Stuart. *On Liberty*. London: John W. Parker and Son, 1859. Cited in Practice 74.
- Milton, John. *Paradise Lost*. London: Samuel Simmons, 1667 (ten books; twelve-book second edition, Simmons, 1674). Cited in Practice 36.
- Montaigne, Michel de. *Essais* [*Essays*]. Bordeaux: Simon Millanges, 1580.
- Moraga, Cherríe, and Gloria Anzaldúa, eds. *This Bridge Called My Back: Writings by Radical Women of Color* (includes Anzaldúa, “Speaking in Tongues: A Letter to 3rd World Women Writers”). Persephone Press, 1981. Cited in Practice 8.
- Morrison, Toni. “The Art of Fiction No. 134.” Interviewed by Elissa Schappell and Claudia Brodsky Lacour. *The Paris Review* 128 (Fall 1993), https://www.theparisreview.org/interviews/1888/the-art-of-fiction-no-134-toni-morrison. Cited in Practice 1.
- Morrison, Toni. *Beloved*. New York: Alfred A. Knopf, 1987. Cited in Practice 95.
- Morrison, Toni. “The Art of Fiction No. 134.” Interview by Elissa Schappell and Claudia Brodsky Lacour. *The Paris Review* 128 (Fall 1993). Cited in Practice 3.
- Munro, Alice. *Selected Stories*. New York: Alfred A. Knopf, 1996. Cited in Practice 30.
- Murakami, Haruki. “The Art of Fiction No. 182.” Interview by John Wray. *The Paris Review* 170 (Summer 2004). https://www.theparisreview.org/interviews/2/the-art-of-fiction-no-182-haruki-murakami
- Nabokov, Vladimir. “The Art of Fiction No. 40.” Interview by Herbert Gold. *The Paris Review* 41 (Summer–Fall 1967). Cited in Practice 26.
- Oliver, Mary. *A Poetry Handbook*. Harcourt Brace, 1994. Cited in Practice 57.
- Oliver, Mary. *Rules for the Dance: A Handbook for Writing and Reading Metrical Verse*. Boston: Houghton Mifflin, 1998. Cited in Practice 57.
- Orlean, Susan. *The Orchid Thief*. New York: Random House, 1998. Cited in Practice 17.
- Orwell, George. *Homage to Catalonia*. London: Secker & Warburg, 1938. Cited in Practices 14, 71, 73.
- O’Connor, Flannery. *Mystery and Manners: Occasional Prose* (includes “Writing Short Stories”). Edited by Sally and Robert Fitzgerald. New York: Farrar, Straus and Giroux, 1969. Cited in Practice 20.
- Page, Carly. “Deloitte Refunds Australian Government over AI in Report.” *The Register*, October 6, 2025. https://www.theregister.com/software/2025/10/06/deloitte-refunds-australian-government-over-ai-in-report/722000 Cited in Practice 77.
- Perec, Georges. *A Void*. Translated by Gilbert Adair. London: Harvill, 1994. Originally *La Disparition* (1969). Cited in Practice 69.
- Perec, Georges. *La Disparition*. Paris: Denoël, 1969. Cited in Practice 69.
- Pinsky, Robert. *The Sounds of Poetry: A Brief Guide*. New York: Farrar, Straus and Giroux, 1998. Cited in Practice 57.
- Pressfield, Steven. *The War of Art*. Rugged Land, 2002. Cited in Practice 8.
- Proust, Marcel. *Du côté de chez Swann* (*Swann’s Way*), vol. 1 of *À la recherche du temps perdu*. Paris: Bernard Grasset, 1913. Cited in Practice 97.
- Quiller-Couch, Arthur. *On the Art of Writing: Lectures Delivered in the University of Cambridge, 1913–1914*. Cambridge University Press / G. P. Putnam’s Sons, 1916. Cited in Practice 60.
- Rowling, J. K. *Harry Potter and the Order of the Phoenix*. London: Bloomsbury, 2003. Cited in Practice 48.
- Sei Shōnagon. *The Pillow-Book of Sei Shōnagon*. Translated by Arthur Waley. London: George Allen & Unwin, 1928 (original c. 1002; translation is a selection, text at https://www.gutenberg.org/ebooks/76016). Cited in Practice 11.
- Shakespeare, William. *Hamlet*. First printed 1603 (First Quarto, *The Tragicall Historie of Hamlet Prince of Denmarke*, London: printed for N. L. [Nicholas Ling] and John Trundell); authorized Second Quarto 1604. Cited in Practice 41.
- Shakespeare, William. *Macbeth*. Written c. 1606–07; first printed in the First Folio, 1623. Cited in Practices 30, 85.
- Shakespeare, William. *Othello*. First performed 1604; first printed London: Thomas Walkley, 1622 (quarto). Cited in Practice 25.
- Shakespeare, William. *The Tempest*. First recorded performance at court, November 1, 1611; first printed in the First Folio (*Mr. William Shakespeares Comedies, Histories, & Tragedies*), London, 1623. Cited in Practice 66.
- Shaw, George Bernard. *Pygmalion*. First performed Vienna (in German), 16 October 1913; first published in English in *Androcles and the Lion, Overruled, Pygmalion*. London: Constable, 1916 (text at https://www.gutenberg.org/ebooks/3825). Cited in Practices 63, 67.
- Shelley, Mary. *Frankenstein; or, The Modern Prometheus*. London: Lackington, Hughes, Harding, Mavor & Jones, 1818. Cited in Practice 19.
- Shiner, Lewis, and Bruce Sterling, comps. “The Turkey City Lexicon: A Primer for SF Workshops.” 1988 (revised by Sterling in *Interzone*, September 1990; *The SFWA Handbook*, Pulphouse, 1991). https://sfwa.org/2009/06/18/turkey-city-lexicon-a-primer-for-sf-workshops/ Cited in Practice 64.
- Sims, Norman, ed. *The Literary Journalists*. New York: Ballantine Books, 1984. Cited in Practice 75.
- Smith, Zadie. *Changing My Mind: Occasional Essays*. London: Hamish Hamilton, 2009. (Includes the lecture “That Crafty Feeling.”) Cited in Practice 23.
- Sontag, Susan. *Illness as Metaphor*. New York: Farrar, Straus and Giroux, 1978. Cited in Practice 59.
- Sophocles. *Oedipus the King* (*Oedipus Tyrannus*). First performed at Athens, c. 429–420 BCE. Cited in Practices 24, 47.
- Sui Sin Far (Edith Maude Eaton). “Leaves from the Mental Portfolio of an Eurasian.” *The Independent* 66 (January 21, 1909): 125–32. Cited in Practice 55.
- Swift, Jonathan. *A Modest Proposal for Preventing the Children of Poor People from Being a Burden to Their Parents or Country*. Dublin: S. Harding, 1729. Cited in Practice 19.
- Swift, Jonathan. *Gulliver’s Travels*. Benjamin Motte, 1726. Cited in Practice 12.
- The Guardian*. Newspaper, founded 1821 as *The Manchester Guardian* (renamed *The Guardian* 1959); Guardian Media Group. Cited in Practice 88.
- The New York Times*. Newspaper, New York, founded 1851 as the *New-York Daily Times*; The New York Times Company. Cited in Practice 9.
- The New Yorker*. Magazine, New York, 1925–. Cited in Practices 4, 87.
- The Smoking Gun. “A Million Little Lies.” thesmokinggun.com, January 8, 2006. https://www.thesmokinggun.com/documents/celebrity/million-little-lies Cited in Practice 76.
- Thoreau, Henry David. *Walden; or, Life in the Woods*. Boston: Ticknor and Fields, 1854. Cited in Practice 12.
- Tolkien, J. R. R. *The Lord of the Rings*. London: George Allen & Unwin, 1954–55; second edition with the author’s foreword, 1966. Cited in Practice 96.
- Tolstoy, Leo. *The Death of Ivan Ilych* (*Smert’ Ivana Ilyicha*). Moscow, 1886; first published in *Sochineniya grafa L. N. Tolstogo*, part 12. Cited in Practice 65.
- Trollope, Anthony. *An Autobiography*. 2 vols. Edinburgh and London: William Blackwood, 1883.
- Truby, John. *The Anatomy of Story: 22 Steps to Becoming a Master Storyteller*. New York: Faber and Faber, 2007. Cited in Practice 21.
- Twain, Mark. *Adventures of Huckleberry Finn*. London: Chatto & Windus, 1884; New York: Charles L. Webster, 1885.
- Van Buren, Robert, and Mary Fran Buehler. *The Levels of Edit*. 2nd ed. JPL Publication 80-1. Pasadena, CA: Jet Propulsion Laboratory, California Institute of Technology, 1980. https://ntrs.nasa.gov/citations/19800011701 Cited in Practice 93.
- Whitman, Walt. *Leaves of Grass*. Brooklyn: self-published, 1855 (nine editions, 1855–1891–92). Cited in Practice 100.
- Wilde, Oscar. *The Importance of Being Earnest*. First performed February 14, 1895, St James’s Theatre, London; first published London: Leonard Smithers, 1899. Cited in Practice 61.
- Williams, Joseph M., and Joseph Bizup. *Style: Lessons in Clarity and Grace*. 11th ed. Boston: Pearson, 2014 (Williams’s original, *Style: Ten Lessons in Clarity and Grace*, first published 1981; Bizup co-author/reviser from 2010). Cited in Practice 52.
- Woolf, Virginia. *A Room of One’s Own*. London: Hogarth Press, 1929.
- Woolf, Virginia. *Jacob’s Room*. Hogarth Press, 1922. Cited in Practice 94.
- Woolf, Virginia. *Mrs. Dalloway*. Hogarth Press, 1925. Cited in Practice 60.
- Woolf, Virginia. *Night and Day*. London: Duckworth, 1919. Cited in Practice 94.
- Woolf, Virginia. *The Voyage Out*. London: Duckworth, 1915. Cited in Practice 94.
- Woolf, Virginia. *To the Lighthouse*. London: Hogarth Press, 1927.
- Wordsworth, William. *Poems, in Two Volumes*. London: Longman, Hurst, Rees, and Orme, 1807. Cited in Practice 69.
- Yellin, Jean Fagan. *Harriet Jacobs: A Life*. New York: Basic Civitas Books, 2004. Cited in Practice 90.
- Yorke, John. *Into the Woods: How Stories Work and Why We Tell Them*. London: Particular Books, 2013. Cited in Practice 29.

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